Yen-Chi Wu and Phyllis Boumans (2024.04). Introduction: Remapping Irish Literary and Cultural Landscapes in the Mid-twentieth Century. RISE: Review of Irish Studies in Europe, 7(1), 1-6.
Yen-Chi Wu (2023.07). Middlebrow Culture, Self-Mockery, and Maeve Brennan's New Yorker Stories. Journal of Modern Periodical Studies, 14(1), 24-46.
Yen-Chi Wu (2022.11). Middlebrow Culture and Mary Lavin's Short Stories in The New Yorker. Irish University Review, 52(2), 218-233.
Yen-Chi Wu (2020.10). John McGahern and the Big House Trope in the 1980s. New Hibernia Review, 24(3), 27-41.
Yen-Chi Wu (2020.02). Broken Rhythm and Slow Time: Temporalities in John McGahern's Novels. Irish Studies Review, 28(1), 60-74.
Yen-Chi Wu (2020.01). Outing Henry James: Outing Politics and Literary Styles in Colm Toibin's and Joyce Carol Oates's James Fictions. Critique: Studies in Contemporary Fiction, 61(1), 13-25.
Yen-Chi Wu (2015.12). 'The Church Without Christ': Radical Theology, Secularism, and Flannery O'Connor's Wise Blood. Wenshan Review of Literature and Culture, 9(1), 83-100.
Yen-Chi Wu (2014.06). In the Face of Modernization: Gothic Antiquarianism in Patrick McCabe's The Butcher Boy. NTU Studies in Language and Literature, 31, 151-174.
Yen-Chi Wu (2014.06). 'Pigs!': Gothic Racial Stereotype and Repressed Fear in Patrick McCabe's The Butcher Boy. Fiction and Drama, 23(2), 1-21.
研討會論文
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專書
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專書部份章節
Yen-Chi Wu (2022.07). Austerity, Irish Literary Tropes, and Claire Keegan's Fiction. In Deirdre Flynn, Ciara L. Murphy (Ed.), Austerity and Irish Women's Writing and Culture, 1980-2020 (pp. 177-192). : Routledge.(ISBN：9781032075204)
